Photo paper is rectangular therefore the 35mm was a close match to it whereas the 120mm required that the images be 'cropped' in the mind of the photographer during shooting.
This vertical image of welder Gus Lidberg, 'The Crab', and Sculpturer George Norris. Cropped on either side of a medium format camera?
Post Media - Regina Leader |
This photo? Cropped top and bottom.
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In 1971 I was using a Koni Rapid Omega for weddings after falling afoul of the square formatted Yashica camera. The Koni Rapid Omega Rangefinder: 120mm film, 10 images @ 2 1/4" X 2 3/4" (6 X 7), the same proportion as print papers: 16 X 20 and 8 X 10. Heavy camera, but simple to use.)
It was with the ease of the Leaf shutter in the lens that garnered me a once in a lifetime photo of 'The Crab'.
Result? Works for me |
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Today's images are typical, and aplenty. A variety of a large building, small Crab vs large Crab, small building with most photos taken during daylight. Must have something to do with the hours of opening of the Planetarium.
Google Search Criteria: Planetarium Crab |
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https://farm4.static.flickr.com/3516/3809785174_040b6ce89f.jpg |
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http://ounodesign.com/2009/08/10/planetarium/ |
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Page 6 of 41
"The Crab" sculpture and Museum of Vancouver Planetarium
1100 Chestnut Street
According to the City of Vancouver's Public Art Registry, "the crab represents the Indian legend of the crab as the guardian of the harbour and was also the zodiac sign at the time of the Canadian Centennial." the stainless steel sculpture was actually constructed in the south False Creek area, and then transported by barge to its present location. Interestingly, the funds were raised by the women's sub-committee of the Vancouver Centennial Committee by hosting fashion shows and various luncheons.
It's a striking piece of public art that definitely holds its own presence against the retro-futuristic lines of the Museum of Vancouver/Planetarium. The museum/planetarium's distinctive roof is an illusion to the woven basket designs created by the First Nations citizens who were able to leave a legacy -- what will be ours?
Sculpture George A. Norris' |